"Cannibal Garden" is a project investigating hermaphroditic, self generating/ self-satisfying systems within nature. The project incorporates large-scale computer-generated photographs and video animation referencing futuristic plant forms and human intervention in the natural landscape as mediated by technology. I once read that flowers absorb evil, and so Cannibal Garden became a metaphor for the type of self-consuming beauty that erases pain. A place where the impossible is made possible through belief in the unknown, where objects that have grown out-of-scale and images consume the viewer with high-saturated color.
Photograph
Completed in: 2000
40 x 50 inches
Near or in brooklyn, NY / United States
artist: michelle handelman
The adopter, Jeanne Brasile, writes:
When I first heard about FAAN, I thought "What artist would just want give away their art to a total stranger - and why?!?" But since I was totally intrigued by the concept, I logged onto the website and checked out what was available for adoption. After looking at a number of pieces, I came across Michelle's "Red Slit". I was immediately taken. Even seeing this in a small thumbnail, I had a visceral reaction to this wildly sensual and dangerous looking photograph.
I think I was attracted to both the lushness of color and the subject matter. As I mentioned to Michelle, I am usually not attracted to anything so symmetrical - I prefer the tension that asymmetry provides to a work. Michelle astutely noted that this work, although it is symmetrical, is loaded with tension of another sort. I think that is another dimension of my infatuation with "Red Slit"
I contacted Michelle and we had a few e-mail conversations before she invited me to her studio in Brooklyn. We spoke for some time about her art and she shared her portfolio with me. Then she asked me about myself. I didn't feel like I was being interrogated, but I know she wanted to make sure her photograph was going to a good home with someone who would appreciate it.
Although "Red Slit" was lying against a wall just a few feet away from where we spoke in her studio, I was so into our conversation, I didn't really look at my prospective adoption until the end my of visit. When I finally got to look at it closely, I was blown away. The large-scale, the glossy finish, the detail...just amazing!
The visit ended with Michelle agreeing to let me adopt "Red Slit". I was so psyched! So
I came back the following week to pick the piece up at her studio. I just picked it up last night so I haven't hung it yet, but it
is going to be hung this weekend, in my bedroom. Incidentally, Michelle's edition of the same piece hangs in her bedroom too. How cool!
Now that I know more about Michelle's art through her website and our discussions, I plan on staying in touch and getting out to her future shows. So now, I guess I understand why artists choose to use FAAN. It's a great way for artists to cultivate collectors and for both artists and art fans to connect on a more personal level. YAY for us both!
The artist, michelle handelman, writes:
“It is both alluring and dangerous looking at the same time.”
These were Jeanne’s words and they moved me because I knew instantly she got it.
Let me be honest here and say that when I originally signed up for FAAN I was a bit confused and thought that my artworks would be going on indefinite loan, not on permanent vacation, so when I realized that this adoption process was forever I had to reevaluate who and what I was willing to work with…afterall, these are by children, bastards as they may be, yet conceived with the most beautiful of all messy intentions.
“Red Slit” is one of my favorite pieces and as Jeanne mentioned, it hangs in my bedroom, I sleep with it every night. So I wanted to make sure that it would be loved…really passionately loved in it’s new home because it seemed to me that since I was communicating with it on a daily basis, and now this other person would be communicating with it on a daily basis, then that meant that the two of us would also be communicating with each other on a daily basis…and I’m very picky about who I communicate with every day!
But when I got an email from “beastiecurator” I knew I had found my match.
The moment we met I instantly liked Jeanne and I’m thrilled that she will have a piece of the “Cannibal Garden” in her home. So often when works are sold from the gallery you never get a feel for the buyers excitement, and so as an artist you remain unchanged by the event (other than the fact that it changes your bank account so you can pay off some credit cards which is always a good thing!) but with FAAN the excitement is the commodity. I’m putting out the love and someone’s loving it back…loving it so much that they actually want to live with it!
It’s kinda like the perfect relationship. Deep love without the domestic fights.





