Deborah Garwood

United States
New York, NY
born US
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Deborah Garwood is an interdisciplinary artist based in New York. Her work explores the interdependence of nature, culture, and technology. She has exhibited sculpture, photography, video, installation, drawing, intaglio prints, and artist’s books in New York and abroad since 1980.

In 1997 Garwood initiated a project entitled Evans Pond: A Long-Term Study of a Single Place. Bringing a variety of cameras and films to the same site in New Jersey, she has been documenting and interpreting the forest, pond, and adjacent abandoned orchard for almost ten years. The archive is a personal reflection on the duration of this forest at the edge of suburbia. It is also a study of changing photographic tastes and technologies—from early 20th-century box cameras to digital imagery. Evans Pond reflects the artist’s fascination with the natural world, and synthesizes her study of sculpture, photography, and technology. Her observation of seasonal change at Evans Pond led to an interest in astronomy, and the idea that astronomy has been an abiding inspiration for culture in human civilizations. Garwood’s influences range from the eclectic photographs of August Rodin’s sculpture, which she studied in 1991 at the Musée Rodin, Paris, to Minimalist-era sculptors’ use of photography in relation to their presence in the landscape.

Active also as an independent scholar, Garwood has applied an interdisciplinary approach to her research on art, science, and technology. She has participated in a number of international conferences on astronomy and the humanities, presenting papers on astronomical themes in Marcel Proust (publication pending); astronomy and existentialism in the fiction of Albert Camus (publication pending); and a photographic essay entitled Paris Solstice that was inspired by Proust and French astronomical history. Garwood is also active as an art critic and has contributed criticism on the fine and performing arts to several journals, including PAJ: A Journal of Performance and Art (MIT Press), to which she recently became a contributing editor; Art Journal; and Sculpture Magazine.

Born in Camden, NJ, Garwood earned a BA at Oberlin College and an MFA at Hunter College, City University of New York. She also studied visual art at the Nova Scotia College of Art & Design. She was the recipient of the Robert Smithson Memorial Scholarship for Sculpture at the Brooklyn Museum. In 2004 she earned a certificate in astronomy from the American Museum of Natural History in New York and has pursued independent research at the Paris Observatory.

2007 The Price of Everything: Perspectives on the Art Market. CUNY Art Gallery, New York, NY
2006 *Evans Pond: A Long-Term Study of a Single Place. The Mildred Hawn Gallery of The Hamon Arts Library,
Southern Methodist University, Dallas, TX
Site Specific, NJ: Photographic Explorations. Tomasulo Gallery, Union County College, NJ.
Foliage. Makor / Steinhardt Center of the 92nd St. Y, New York, NY. Curated by Anat Litwin.
Kentler’s 4th Annual Benefit. Kentler International Drawing Space, Brooklyn, NY
2005 *Paris at Spring Equinox, 2004: Parc des Buttes Chaumont. Berlitz Language Center, New York, NY
2004 Baalil / Evident. Makor-Steinhardt Center of the 92nd St. Y, New York, NY
Evans Pond Video Suite. Screening at Barbes Performance Space, Brooklyn, NY
The Rural Outdoors. Sullivan County Museum, Hurleyville, NY
2003 Sublime Metaphor. Oxford University Museum, Oxford, England
Vessels. Jane Hartsook Gallery, New York, NY
2002 Landscape. Lindsey Brown, New York, NY
2001 Sicilian Eclogue. Color slide project screened at Four Walls Slide & Film Club, Brooklyn, NY
2000 Paris Solstice. Color slide project screened at Four Walls Slide & Film Club, Brooklyn, NY
1999 *Evans Pond: A Long-Term Study. Scott Pfaffman Gallery, New York, NY
1993 *The Garden at Musée Rodin. Rockland County College, Suffern, NY
1992 Three Photographers. Curated by Michael Spano. Midtown Y Gallery, New York, NY
1989 *Snow Scene for Yoko Ono. Willoughby Sharp Gallery, New York, NY
1984 *Sewing: A Peek Under the Skirts of Fashion. Franklin Furnace, New York, NY

 
Artworks available from this artist:
Artworks adopted from this artist:
Pinky
Evans Pond, Abandoned Orchard
Photograph 18 x 18 inches
Pinky
Evans Pond, March 13, 2003 (single print)
Photograph 20 x 24 inches